Nefertiti- 1370 – ca. 1330 BC was an Egyptian queen and the Great Royal Wife (chief consort) of Akhenaten, an Egyptian Pharaoh. Nefertiti and her husband were known for a religious revolution, in which they worshiped one god only, Aten, or the sun disc. Akhenaten and Nefertiti were responsible for the creation of a whole new religion which changed the ways of religion within Egypt. With her husband, she reigned at what was arguably the wealthiest period of Ancient Egyptian history. Some scholars believe that Nefertiti ruled briefly as Neferneferuaten after her husband's death and before the accession of Tutankhamun, although this identification is a matter of ongoing debate.
Nefertiti had many titles including Hereditary Princess; Great of Praises; Lady of Grace, Sweet of Love; Lady of The Two Lands Main King’s Wife, his beloved, Great King’s Wife, his beloved, Lady of all Women, and Mistress of Upper and Lower Egypt
She was made famous by her bust, now in Berlin's Neues Museum, shown to the right. The bust is one of the most copied works of ancient Egypt. It was attributed to the sculptor Thutmose, and it was found in his workshop. The bust is notable for exemplifying the understanding Ancient Egyptians had regarding realistic facial proportions.
Nefertiti, Egyptian Nfr.t-jy.tj, original pronunciation approximately Nafteta[dubious – discuss], for ("the beauty has come"). Nefertiti's parentage is not known with certainty, but one often cited theory is that she was the daughter of Ay, later to be pharaoh. However, this hypothesis is likely wrong since Ay and his wife Tey are never called the father and mother of Nefertiti and Tey's only connection with her was that she was the 'nurse of the great queen' Nefertiti. Nefertiti's Scenes in the tombs of the nobles in Amarna mention the queen's sister who is named Mutbenret (previously read as Mutnodjemet).
Another theory that gained some support identified Nefertiti with the Mitanni princess Tadukhipa. However, Tadukhipa was already married to Akhenaten's father and there is no evidence for any reason why this woman would need to alter her name in a proposed marriage to Akhenaten or any evidence of a foreign non-Egyptian background for Nefertiti.
The exact dates when Nefertiti married Akhenaten and became the king's chief wife of Egypt are uncertain. Their six known daughters (and estimated years of birth)
Nefertiti first appears in scenes in Thebes. In the damaged tomb of the royal butler Parennefer, the new king Amenhotep IV is accompanied by a royal woman, and this lady is thought to be an early depiction of Nefertiti. The king and queen are shown worshiping the Aten. In the tomb of the vizier Ramose, Nefertiti is shown standing behind Amenhotep IV in the Window of Appearance during the reward ceremony for the vizier.
During the early years in Thebes, Akhenaten (still known as Amenhotep IV) had several temples erected at Karnak. One of the structures, the Mansion of the Benben (hwt-ben-ben), was dedicated to Nefertiti. She is depicted with her daughter Meritaten and in some scenes the princess Meketaten participates as well. In scenes found on the talatat, Nefertiti appears almost twice as often as her husband. She is shown appearing behind her husband the Pharaoh in offering scenes in the role of the queen supporting her husband, but she is also depicted in scenes that would have normally been the prerogative of the king. She is shown smiting the enemy, and captive enemies decorate her throne.
In the fourth year of his reign, Amenhotep IV decided to move the capital to Akhetaten (modern Amarna). In his fifth year, Amenhotep IV officially changed his name to Akhenaten, and Nefertiti was henceforth known as Neferneferuaten-Nefertiti. The name change was a sign of the ever-increasing importance of the cult of the Aten. It changed Egypt's religion from a polytheistic religion to a religion which may have been better described as a monolatry (the depiction of a single god as an object for worship) or henotheism (one god, who is not the only god).
The boundary stelae of years 4 and 5 mark the boundaries of the new city and suggest that the move to the new city of Akhetaten occurred around that time. The new city contained several large open-air temples dedicated to the Aten. Nefertiti and her family would have resided in the Great Royal Palace in the center of the city and possibly at the Northern Palace as well. Nefertiti and the rest of the royal family feature prominently in the scenes at the palaces and in the tombs of the nobles. Nefertiti’s steward during this time was an official named Meryre II. He would have been in charge of running her household. Inscriptions in the tombs of Huya and Meryre II dated to Year 12, 2nd month of Peret, Day 8 show a large foreign tribute. The people of Kharu (the north) and Kush (the south) are shown bringing gifts of gold and precious items to Akhenaten and Nefertiti. In the tomb of Meryre II, Nefertiti’s steward, the royal couple is shown seated in a kiosk with their six daughters in attendance. This is one of the last times princess Meketaten is shown alive.
Two representations of Nefertiti that were excavated by Flinders Petrie appear to show Nefertiti in the middle to later part of Akhenaten's reign 'after the exaggerated style of the early years had relaxed somewhat'. One is a small piece on limestone and is a preliminary sketch of Nefertiti wearing her distinctive tall crown with carving began around the mouth, chin, ear and tab of the crown. Another is a small inlay head (Petrie Museum Number UC103) modeled from reddish-brown quartzite that was clearly intended to fit into a larger composition.
Meketaten may have died in year 13 or 14. Nefertiti, Akhenaten, and three princesses are shown mourning her. Nefertiti disappears from the scene soon after that.
Discovered in 2012, a Regnal Year 16, month 3 of Akhet, day 15 inscription, dated explicitly to Akhenaten's reign, mentions the presence of the "Great Royal Wife, His Beloved, Mistress of the Two Lands, Neferneferuaten Nefertiti". The barely legible five line text "mentions a building project in Amarna" (Egypt's political capital under Akhenaten). The inscription was found in a limestone quarry at Dayr Abū Ḥinnis, just north of Dayr al-Barshā, north of Amarna.The inscription has now been published in a 2014 journal article by Athena Van der Perre who states that the five line building inscription was found in a limestone quarry at Dayr Abū Ḥinnis. Van der Perre notes that Dayr Abū Ḥinnis is located "on the eastern side of the Nile, about ten kilometres north of Amarna" and records that the building work inscription refers equally to both the ruling king Akhenaten and his great wife Nefertiti under the authority of the king's scribe Penthu. Penthu was presumably the owner of Amarna Tomb 5—where one of his titles given was "first servant of the Aten in the Mansion of Aten in Akhetaten"; due to the rarity of his name and his position as chief priest within the Aten priesthood, it cannot be coincidental—as van der Perre writes—that the same Penthu would have been placed in charge of quarrying stone for the Aten temple. However, as Van der Perre stresses:
"...The importance of the inscription from Dayr Abū Ḥinnis lies in the first part of the text. This inscription offers incontrovertible evidence that both Akhenaten and Nefertiti were still alive in the 16th year of his (ie. Akhenaten's) reign and, more importantly, that they were still holding the same positions as at the start of their reign. This makes it necessary to rethink the final years of the Amarna Period.This means that Nefertiti was alive in the second to last year of Akhenaten's reign, (this pharaoh's final year was his Year 17) and demonstrates that Akhenaten still ruled alone, with his wife by his side. Therefore, the rule of the female Amarna pharaoh known as Neferneferuaten must be placed between the death of Akhenaten and the accession of Tutankhamun. This female pharaoh used the epithet 'Effective for her husband' in one of her cartouches, which means she was either Nefertiti or her daughter Meritaten (who was married to king Smenkhkare).